SUNY Cobleskill Homepage

Introduction

Supplies

Markmaking

Components of Art

Line

Composition

Shape

Figure/Ground

Texture

Value

Space

Perspective

More Perspective

Still More

The end of Perspective

Color ~ Hues

Color ~ CMYK

Color ~ HVS

Atmospheric Perspective

Color Schemes

Color Interaction

Repetition

Typography

Gestalt

VALUE & GAMUT

Value is the relative lightness or darkness of an area.

Gamut is the range of values (or colors) that can be reproduced using a particular medium.

 

The gray scale you created has a value gamut that “runs” from painted black at one end to painted white at the other end; in other words, using only black and white, you demonstrated the gamut of that particular brand of paints.
Different brands of paints and different media will have different ranges of grays… different value gamuts.

Gamut of grays for Richart Premium Poster paints grays
Gamut of grays for various graphite pencils

Highest/lightest values for various papers, paints.

Lowest/darkest value for various pigments, dyes, etc.


gamuts

 

 

Gamut can also refer to the set of colors or values used in a particular image
Seurat
Boy with Straw Hat
grays

spacer

The upper of the two grayscales on the right is the gamut of gray values used by Seurat in this particular drawing.

The lower grayscale is the gamut of your tempera paints.


Assignment

The Professor Cosgrovenhoven Manual Comparator


Punch two holes in a 3 x 5 card… like this:
Place the comparator over the two values to be compared… isolating small areas of the values makes them easier to evaluate.

 

 

Most of you probably noticed that the lightest paint patch in your grayscale is NOT as white as the Bristol board…
the same thing may happen with different media.

  1. Take a black inkjet rectangle and cut it to the same size as the painted chips of your grayscale.  Where does this inkjet black fit against the painted scale… is it darker than the darkest paint? Or is it lighter?
  2. Do the same with the Laser printed black. Where does it fit in?
  3. Make a patch of the darkest value you can get with a regular #2 pencil.  Where does it fit in?
  4. Cut out a patch of plain newspaper. Is it lighter or darker than the painted white?
  5. Find the darkest area of ink in the newspaper… cut out a patch… where does it go.
  6. Find three or more other media and create patches of the darkest value you can get with each of them.
  7. Find one white/very light surface and create a patch
  8. Glue your Grayscale to a larger piece of Bristol and locate the 9 new chips touching one side or the other of the painted grayscale.
  9. Label it.

Gamut